Trying Something a Bit Flashy

I’ve been working getting a good library of photos built for stock photography sites and it’s been a humbling experience. The sites critique your work and the issues are very plainly stated. The artistic quality of a photo is not considered. It’s all about fundamentals.

Here on this blog I have been talking about pushing my photography in order to accomplish tasks like stopping the motion of a hummingbird’s wings or capturing the joy of an OCD dog in swimming pool. These exercises have pushed me to capture things I never really thought my micro 4/3 system was capable of. This has been great for me as a technician and I feel more capable of shooting things that I had not even considered before. The down side is that it has pointed out the flaws in the give-and-take when you trade shutter speed for ISO – the end result is more noise. Although this might be great for a photo that I would publish here or even one that I would sell a print of, it doesn’t cut it in the stock photography world. Noise is a no-no.

I’m also finding that my artistic leaning towards a very shallow DOF is not what these sites are looking for either – so I have culled my archives to find the best shots where the focus on the main subject is deeper – all-in-all I am starting to find the right mix. My autumn leaves seem to be hitting the mark as well as some wildlife and some flowers.

This whole process got me thinking – is there a way to get a very sharp image of a hummingbird (or any bird) in less than perfect lighting conditions? In motion? Without a lot of noise? I recently attended a family wedding and I brought my portrait lens. As the ceremony moved from a lakeside sunlit venue to a rather dark reception hall I was forced to take out my least favorite piece of photographic equipment – my flash.

I have never liked shooting with a flash. I don’t like the way it can change skin tones and the shadows it can cast. I prefer a fast lens and available light, but as the days start to get shorter, that means I might have to shoot only on weekends with great weather. The hummingbirds are here now – and they’ll be headed south by mid October. Although I find the flash intimidating, the time has come for me to give it a try.

All of the shots that follow were shot in overcast conditions after 6:00pm. Some were shot on the west side of my home where the house casts shadows on my shooting area after 4:00pm.

I’ll start with a hummingbird on a limb. I was concerned that once I fired the flash that my subject would bolt, but my worries were unfounded. I shout about 10 frames of this fellow and he was unconcerned with me. He was in the shadow of the house, backed by a cedar beam.

There is the problem of the flash needing to recharge between shots – so I have to go back to my process of stalking and waiting for a good moment rather than firing off dozens of frames – but I kind of like that.

Of course, there is still the issue of hoping to stop the action of a hummingbird in flight. The flash certainly helps…

This shot was taken at about 6:00 in the evening - I had to get a focus on the bird and wait for it to flutter backwards from the feeder to make the capture. Since a bird does this about 5-6 times when feeding you are lucky to get two chances while a bird is at the feeder with the flash recharging between shots.

This shot was taken at about 6:00 in the evening – I had to get a focus on the bird and wait for it to flutter backwards from the feeder to make the capture. Since a bird does this about 5-6 times when feeding you are lucky to get two chances while a bird is at the feeder with the flash recharging between shots.

There is something else the flash does that I hadn’t really considered. All that extra light assists the camera in getting some pretty tight focus…

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I can see the veins of individual feathers in this shot, but the beak is what really got me. I have never gotten a shot this sharp of a hummer. The flash makes the wings transparent so that you can see her body through it. A shadow is cast of the wing on her left by the one in front.

This whole process has made me think about using a flash when I have plenty of sunlight. Can I get a really sharp image by adding just a bit more light into the mix? Or is that just too flashy?

A Celebration of Familial Facial Hair

Have you ever looked at a set of photos and imagined another reality? Well I do that sometimes. This is the story of a beard and the people who love it…

The King of Isabelle Avenue

I come from a long line of ancestors with prodigious facial hair. I don’t have any myself with the exception of my out-of-control eyebrows. Seriously, I could have them waxed on Tuesday, pluck them on Wednesday, and need to wax them again on Thursday – but this is not about me or my eyebrows. It’s about a long heritage of facial hair, mostly on men, and our celebration of this heritage as a family.

Let’s start at the beginning of the age of photography.

Of course, my brothers are no exception – they are fine examples of hirsuteness.

As I was saying earlier – my Pop had an amazing beard, a rich beard, one without rival, that is until now…

The big day arrives, family comes in from all over the country. Tommy prepares:

OK – I’m just kidding.

Congrats to Tommy and Shanda on their big day. It was…

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