A Tilt-shift View of Eureka Springs

I have written a couple of posts about using my tilt-shift lens set up recently. I wrote about using the technique to give motion and focus to a country road, and used it to take some portraits of an old friend. I thought I would do a post how tilt-shift is typically used. The tilt-shift lens can be angled so that it is not parallel to your camera’s sensor – this gives you a slice of focus and changes the perspective of your shot slightly. It is mostly used to give a feel of miniaturized cityscapes. I don’t live in a city so I went to a scenic overlook in town. It’s a tree covered area that is about midway between the bottom of the hollow that is Main Street and the top of the ridge where the Crescent Hotel sits. Shooting through trees makes it tougher than the shots you typically see – classic tilt-shift is shot from high above and focuses on the tiny details below. It’s all manual – you tilt then focus by hand. You can set the shutter speed and ISO in camera, but the rest is all done by the photographer.

Here’s a little tour of the city I call home at just past the peak colors of autumn – Eureka Springs, Arkansas, one of America’s favorite SMALL towns. All of these shots were taken from the East Mountain Overlook, facing west.

So what do you think of tilt-shift photography – is it interesting or does it make you dizzy?

Country Roads – a Tilt-shift View of Autumn in the Ozarks

My bird lens is on the fritz, 9 days at Olympus for repairs and counting. Arrrrgh! Peak fall color hit about 10 days ago so I have not been able to get my leaf shots – it’s something I look forward to all year. The last two weeks have been rainy off and on so shooting days are few and far between anyway. Last weekend a kind of panic hit me – shoot now or miss the whole season. I started by taking a couple of snaps on local roads with my portrait lens – not my favorite for these kinds of shots – but serviceable.

Shooting down roads has always been a mixed bag for me. I tend to shoot things that I can isolate like birds or leaves or objects. A scene can take me in, but capturing it effectively can often elude me. I had been playing around with a tilt-shift set up and wondered if I could use it to look into the distance on these country roads – to use it in a way that would help the viewer to get a better sense of what I feel when I am driving down one of these roads – crisp air, crunching swirling leaves, filtered sunlight. Can I take a photo that makes you feel these things?

I know I have explained this before, but just in case – a tilt-shift lens lets you move the lens at an angle so that the plane of focus is not parallel to the camera’s sensor – it gives you a “slice of focus” and lets you hone in on certain objects that you want to highlight. It is often used to distort an image to give it the feel of miniaturization.

Shooting gear that you are not completely comfortable with is often a good thing – it gives you a new perspective – it pushes you to try new things. Sometimes the distortion is unsettling, sometimes it’s almost painterly. For me, many of these shots give a better sense of the feel of the roads in the autumn.

These shots were all taken in the last few days, some from the same locations as the earlier shots.

OK – so no skyward leaves or birds amidst the color for me this year. Not having my favorite lens should limit me – but instead it’s forcing me outside of my happy place – and that’s a good thing.

Saturday in the Park – hotter than the 4th of July

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This weekend the real heat of summer settled over the Ozarks. We hit triple digits and in this humidity that an be brutal. I met a friend at a local lake – she was introducing some friends to kayaking. I knew I couldn’t take the heat on the water so I stayed on the docks and played with some newer gear.

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This is a shot of the docks taken with my Lensbaby set up, shown at the top of the blog. It’s a tilt-shift system – meaning that you tilt the lens so that it is no longer parallel to the sensor, this gives you a slice of focus that is tilted away from the sensor. This look is used a lot in those photos that look like dioramas or miniatures. I think that look is cool and I’ll probably try it at some point but for now I am interested in experimenting with the shift. I’m not interested in sacrificing composition for a novelty effect.

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These shots let you see how the focus is off center – the second one really shows how the focus is tilted when you look at the license plate.

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This is a stack of John boats and canoes on the shore. I made the grass near the canoe my focus, letting everything blur towards the edges.

Of course I cannot go anywhere without trying to practice capturing images of flying things and the Lensbaby is just not the tool for that –

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Song sparrow

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Resting dragonfly

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Nectar filled blooms

I’m always game to try new things photographically – it pushes you to master a new skill set. I’m just a noob when it comes to tilt-shift, but I’m intrigued and curious about the potential. I think that’s a good thing for an artist.

As I hit the road for the drive home though, the tilt-shift is packed away – my long zoom is in place in case I get a shot at Bambi.