Taking my Fisheye to San Francisco

I am a fan of Allan at Ohm Sweet Ohm and was talking with him about shooting the Golden Gate Bridge – he works on it every day –  with a fisheye lens. I have been meaning to put a post together ever since. If you want to see some amazing photography of the Golden Gate Bridge, or some really creative imagery of everyday objects, check out Allan’s blog.

I got a chance to spend the day in San Francisco a couple of years ago – it was the day after my nephew’s wedding and my sister-in-law Karen and I explored the parks with our cameras and our National Parks Passport Books. I took my new fisheye lens along for the trip and experimented with it for the first time. I was getting a feel for how much a really wide-angle can distort things.

The Bridge and the Fort

An eye level shot produces minimal distortion on a ling shot.

An eye level shot produces minimal distortion on a long shot.

The same shot through the gage - notice the extreme bend of the parallel poles near the camera.

The same shot through the gate – notice the extreme bend of the parallel poles near the camera.

A shot directly up from inside Fort Point bents the brick walls of the fort inward.

A shot directly up from inside Fort Point bends the brick walls of the fort inward.

This shot indoors shows how much the perspective can me distorted in an enclosed space - the ceiling is actually vaulted, but not curved.

This shot indoors shows how much the perspective can me distorted in an enclosed space – the ceiling is actually vaulted, but not curved.

The Bay

Lowering my view creates both a curved horizon and posts.

Lowering my view creates both a curved horizon and posts.

A waist level shot curves the parking lines and the chains more dramatically than it does the horizon.

A waist level shot curves the parking lines and the chains more dramatically than it does the horizon.

A shoulder level shot across the bay creates a curved horizon.

A shoulder level shot across the bay creates a curved horizon.

This macro-close shot causes the curve of the red curb to be exaggerated.

This macro-close shot causes the curve of the red curb to be exaggerated.

The City and the Palace

A wide angel lens makes Lombard Street look more compressed and less tall - at this distance there is not a lot of curve distortion.

A wide-angle lens makes Lombard Street look more compressed and less tall – at this distance there is not a lot of curve distortion.

A fisheye lens at a couple of feet can really bend these lines - the horizontals and verticals are actually perpendicular

A fisheye lens at a couple of feet can really bend these lines – the horizontals and verticals are actually perpendicular

A low angle with a fisheye makes columns curve inward as the move away from you. This shot was taken from a foot outside the entrance to the structure.

A low angle with a fisheye makes columns curve inward as the move away from you. This shot was taken from a foot outside the entrance to the structure.

Even though I probably missed out on the classic tourist shots, it was fun to take a lens out and make myself experiment with it. The more I used it the more I got the feel for bending reality to my will. The lens was pretty economical – it’s a conversion lens – meaning that it is an attachment to a standard kit lens. I have used it more tactically since my time in San Francisco, shooting it when I need to get something wider into a narrow field or when I want a curve to be really curved.

This masonry really is almost a full circle - the fisheye lets me show you that because I can get the whole perimeter in the frame. To get this view I would need to be almost underground with a standard lens.

This masonry really is almost a full circle – the fisheye lets me show you that because I can get the whole perimeter in the frame. To get this view I would need to be almost underground with a standard lens.

My experimentation in San Francisco gave me confidence to know that I could make the spring shot above work.

Do you have any fancy lenses or gadgets that you have been waiting to try out? Have you tried something new and added it to your repertoire?

The Snake Dog and the Great Flood

Yesterday was a productive one. The sun came out and I had daylight hours to tackle the great basement flood. The warm sunshine warmed my mood. There was much to be optimistic about, first and most importantly, my cellar was filled with rainwater, not sewage. I had the loan of a couple of different types of sump pumps, I had some cute rain boots from Eddie Bauer that I got for Christmas, and I had a friend coming by to help in a few hours. Things were looking up.20130203-131357.jpgThese boots made my smile, I felt like the Morton Salt girl on a sunny day with a sump pump. It’s amazing to see how much the clover is greening up already. 20130203-131426.jpgAs I watched the water flow I thought about the view back to the house. I ran inside to get my fisheye lens. I noticed that I had someone watching me.20130203-131528.jpgKirby doesn’t usually like to be photographed, he typically sees a camera and hides on the other side of the house. But something about the sump pump process intrigued him. Perhaps it was that I had a giant blue snake running across the lawn.20130203-131700.jpgKirby is the boss of the yard, and it’s his job to keep everyone safe from snakes. Since we live in the woods we get a few that invade the lawn in late summer and Kirby dispatches them all. The first summer he lived here he was bitten on the tongue by a copperhead and it was scary. Copperheads are not typically lethal, but a swollen tongue could compromise his airway. You would think that this would have put the fear of snakes into the boy, but no dice.20130203-131732.jpgSince that first encounter, Kirby has taken charge of the snake population on the mountain. Over the years he has been bitten about 10 times. I keep Benadryl and baby aspirin on hand as well as some antibiotics the vet gave me. One time I heard Kirby’s distinctive “snake bark” and headed outside it make sure he was ok. He had copperhead about 4 feet long in his mouth and was running laps around the lawn, he was letting all the other snakes in the woods know who was boss. I worried that he may have been bitten so I managed to lure him over with cheese laced with Benadryl. He snapped it up and went back to the dead reptile and continued his laps. After 10 minutes he fell asleep. I disposed of his trophy and took him into the house.20130203-131854.jpgI discovered that he had not been bitten, that was two summers ago and he has not been bitten since then either. Last year he dispatched at least 10 snakes that I know of. He’s a beast.20130203-131916.jpgHe’s also a slob. I think he’s like the character Pig Pen from Peanuts. He can come home from the groomer looking all white and fluffy, a silky joy to pet. Within minutes he will have rolled in the leaves or pine tar or something slimy and he is as much fun to pet as a tumble weed.20130203-132014.jpgStill, he makes me feel safe, what other 15 pound being can do that. I know he has it handled. He would never let a snake get anywhere near me. The other dogs know he will handle the situation. He is the Snake Killer, he is Kirby.

20130203-135237.jpgYou cannot deny his majesty. He is the king of all he surveys – within the confines of the radio fence. I was glad he was standing by yesterday to keep me safe from that big blue snake.

What’s in my Kit – What’s in your Kit?

I’ve been building my kit for about 3-4 years. The more I shoot the more I know what I still need. I’m fascinated by the mechanical nature of vintage equipment and I think my kit shows that – what’s in your kit?

What’s in my Kit.

via What’s in my Kit.