The Photographers Eyes

I’ve always been intrigued by cameras and composition. I trained as a fine artist and focused on life drawing and painting with a side of ceramics. In college photography was a discipline I had to study for a year to satisfy the requirements of my BFA. I did really enjoy it, but it was not my “go-to” discipline. I learned the mechanics and even did a few professional shoots here and there. A camera was a tool in my designers toolbox. This all changed for me in 2006, but to tell the whole story I need to go back a little further.
When I was 17 I wrecked the family car. I was coming out of a construction zone and just when traffic started to speed up the car in front of me stopped for a dog crossing the road and I plowed right into it. I didn’t realize that I was so close. Afterward my mom decided to get my eyes checked out. It turns out that I had a slight crossed eye that could have interfered with my depth perception. Along with this the doctor discovered that I had cataracts. I was born with them. They were unusual in shape and not very common. I had 20/20 vision, and really didn’t notice anything. The doctor said that they might never be an issue.

Every time I moved to a new city and got a new eye doctor, they would ask it if was OK to bring in all their staff to see my cataracts, they were very unusual, something you might only see a couple of times in a career. One doctor even asked to photograph them – I finally got to see what the fuss was about. They looked like tiny galaxies, circular with swirls radiating from the center.

Now spring forward to 2006, my eye doctor had advised me that I could really benefit from cataract surgery. He suggested that once I began to lose the ability to focus (we all start to experience this in our 40’s) that I seriously should consider it. By this time I was living in a rural area and I was having difficulty driving at night. It never occurred to me that the culprit might be my cataracts, I assumed it was the lack of street lights. I had the surgery one eye at a time. I was the youngest person in the office by about 30 years. None of my fellow patients could imagine me having cataracts. The surgery only took a couple of minutes, and for those seconds between when they remove your old lens and when they replace it with a new one, my field of vision was filled with swirling rainbows through liquid – it was vivid and beautiful.

The next morning when I went out into the sunlight I was stunned by what I saw. I had always had 20/20 vision. I could see details and contrast just fine. In those first moments that morning I realized that I had never really seen color before. I never knew that a lawn was filled with thousands of shades of green and that each blade of grass both cast a shadow and caught a touch of sunlight. I never knew that the parking lot at work was made up of hundreds of greys and browns – I had always seen it as just kinda black. Before my surgery I had taken photos of mostly still life and everyday objects. I loved finding a new way to see something ordinary, but now my eyes were overwhelmed with the vividness of the world around me. I upgraded my camera kit to better capture the color and began to take my camera everywhere.

After work and on weekends I began to seek out color. Autumn leaves, sunsets, spring flowers, songbirds. The first time I had a show locally, a reporter asked me what inspired me and seemed surprised when I said color, since I had so many wildlife shots and landscapes. The subjects of my beloved still lives became more colorful. Color is the unifying theme of almost everything I shoot.

Today, I cannot even imagine the dullness of the world I lived in for so long without knowing it. I live for color and in the spring time when the Ozarks are alive with color. Currently I have a show up here in Eureka Springs called Harbingers – I collected works shot between February and April to represent those things that usher in a glorious spring after a long cold winter. I’ve mounted each on canvas over hard board and fixed then onto stretcher bars exposing the wood sides. I wanted to try to take the technical photography and give it a warmer hand-crafted feel. As spring has blossomed here I continue to add to my Harbinger library – and it’s no surprise that the images are filled with color. The images used in the show are in the slideshow below. Scroll through to see the images larger and to see camera settings.

Shutterbug notes – I chose my current camera set up partly because of its dynamic range. Moving to manual really give you a lot more control over color. Moving off auto gives you access to all the features of your camera and let’s you get the most out of it. Try seeing things in a new light, you might never want to go back to your old ways of seeing the world around you!

Frozen Flora – the Season of the Frost Flower

The hills of the Ozarks are a wet place. Rain water becomes spring water or ground water as it passes through our limestone karst topography. As it gets colder out the bluffs leach out this water in the form of icicles. On the ground below the bluffs the water trapped inside the stalks of tall plants expands. This ice takes on amazing forms – frost flowers appear at the bases of these plants. They appear on mornings where the temps are below freezing and disappear as the temperature rises.

It’s been unseasonably cold for a few days. I have been lighting a fire most evenings to warm up the old Stonehouse. This kind of sustained cold is more common in January or February. This morning when I took a look at the forecast I thought that even though it’s a couple of months early, the conditions were right. I packed up my macro lens and hit the highway. I had to slog through some semi frozen mud, but is it was worth it. Fields and fields of frosty blossoms.

I used a macro light on the super close-ups and a flash on a couple of shots. I wish I had taken the tripod, but the white light of an overcast day let me shoot fast enough to get away without it.

Click through and get a sense of the flower and the intricate shapes that make them up. I’m off to the kitchen to make some hot apple cider. Stay warm.

Naked Ladies in the Rain

Don’t be silly, I’m not THAT kind of photographer.

Naked ladies are a much-loved variety of Amaryllis that bloom in the first week of August. They have no leaves to cover them – hence, they are naked. Some people call them surprise lilies. My neighbor Mary Jane introduced them to me several years ago when she called me to come over to her place and to bring my camera. The lovely pink and yellow flowers stood towering over the dead leaves in her woods. I go back every year and take photos of them. I prefer to shoot macro and explore the parts of the flower. The stamens are really stunning and the buds are such a great color too.

This year I lucked out. We have been getting an unusual amount of rain so it was the perfect opportunity to indulge in my love of raindrops. I took my new weather sealed macro lens out into the woods and braved the storm.

It’s that color so late in the summer, I think that intrigues me. Without leaves to hide them, the naked ladies are all about color. Those, the blackberry lilies,  and the crepe myrtles are the last blast of summer color. The ladies will be here for a week or two, and then anticipation for fall color takes root in me. For now, I’ll just enjoy them while they linger.

Eureka Springs Through a 60mm Macro Lens

There are lots of reasons to move up to an interchangeable lens system camera. I say “interchangeable lens system”, because technically I do not shoot a DSLR. DSLR stands for Digital Single Lens Reflex – meaning that you look through the lens you shoot with and that is made possible by reflection, a mirror that rests below the viewfinder. I shoot “mirrorless” – specifically micro 4/3. Because there is no mirror the space between the sensor and the lens can be dramatically reduced, allowing for smaller cameras and lenses. I can carry a three to four lens kit in a messenger bag with all the bells and whistles. The smaller distance means that the focal equivalents are not the same as standard DSLRs which operate on the 35mm camera equivalents. My focal lengths offer twice the reach – so a fast 50mm portrait lens is only a 25mm lens in my system. My 75-300mm bird lens is equivalent to a 150-600mm zoom on a DSLR. It makes for a compact and somewhat inconspicuous kit.

One of the things I love is shooting with a dedicated macro lens. I have been using a 45mm Leica macro lens for the last year or so. The 35mm equivalent would be twice that – 90mm. It’s a great lens but often can’t get me as close as I would like. I have a vintage macro bellows set up that is fun to use with the right subject, but lacks portability. Recently I acquired a new 60mm (120mm equivalent) 1:1 ratio lens and I am loving it. I haven’t had the time to take it out with the tripod to go crazy with the details, but I did get a chance to take it out for a spin around the formal gardens of Eureka Springs, Arkansas last week.

Click along and walk with me up Spring Street and enjoy the gardens.

Coneflowers – there is something about the coneflower that draws me back every year – the shape, the color, the insects – all of this and its perfectly spaced center structures make it lovely from almost any angle.

Orange Petals – I am drawn to oranges in nature in any season. The macro lens allows me to focus close and then focus closer. I tend to shoot flowers in aperture mode, playing with the DOF.  New details emerge as the depth of field gets tighter and tighter. Light through petals reveals structure.

The Buzz – I love the challenge of capturing a bumble bee in action, and nothing is better than seeing the individual pollen grains. Shooting on a full-function camera lets you switch to shutter mode to try to freeze their constant motion.

Thistles – I know they are invasive weeds, but I love thistles. The thrive in places where nothing else does. A couple of years ago a springtime flood created a slide on one of the city’s mountainsides. To prevent future slides deep rooting grasses were planted and the hillside was slightly terraced. The following year the grass came up, but within it were thousands of thistles. They are on a spot where the late day sun isolates them against the sky. They make for a stunning horizon, but it’s their structure that draws me.

Nature’s Spirograph – on that same hillside I see daisies below the grass line. I love the geometry that you find when you get close to daisies and similar petalled flowers like brown-eyed susans. Often after shooting you find that there is more wildlife than you had bargained for in your frame.

Ready for their close-ups – as much as I love categories, not everything fits neatly into sets when I shoot. Sometimes something just catches my eye and I shoot one or two frames.

Not bad for a first outing. I made the choice to leave my camera bag in the car and shoot only with the new lens. I find that this is a great way to get to know a lens, to force yourself to depend on it for the shot. Personally, I love new gear, but often depend on the old favorites and it’s good to get out there and push yourself outside of your comfort zone.

If you are a photog, what lens do you have sitting around that you haven’t gotten to know as well as you should?

A Well Designed Weed

I am a fan of great design. When something has a beautiful aesthetic design that is also completely functional – for me that’s the pinnacle of design. I know that to most homeowners, this weed is the bane of their existence, requiring bags of chemicals and funny-looking tools to tame. I have come to appreciate their amazing design – to see that from not only follows function, but that functionality can be truly beautiful.

It begins like this…

I have always marveled at the intricate detail of it's flower's structure.

I have always marveled at the intricate detail of it’s flower’s structure. So much geometry.

…and transforms into this…

The symmetrical seed ball is also filled with structure and geometry,

The symmetrical seed ball is also filled with structure and geometry, a nearly perfect circle made mostly of air.

To really appreciate the beauty and the geometry of the dandelion, you must get closer…

As you get closer you can see the almost engineered structure that holds the whole seed system together.

As you get closer you can see the almost engineered structure that holds the whole seed system together. Dimples as perfectly spaced as any man-made golf ball.

As you get even closer the structure of the seeds themselves becomes much more intricate than you might imagine…

Here you can begin to make out the structure of the seeds - quite intricate with symmetrical barbs holding seeds to center.

Here you can begin to make out the structure of the seeds – quite intricate with symmetrical barbs holding seeds to center.

Getting still closer, the center is revealed to be less like a golf ball with dimples and more like the ports of a futuristic space station…

Now we see that the holes in the center actually have structure too - they have small "latches" that hold onto those seeds until just the right gust of wind comes along.

Now we see that the holes in the center actually have structure too – they have small “latches” that hold onto those seeds until just the right gust of wind comes along.

Of course the flower is just the opening act. The seed itself has an ingenious design…

The seed of the dandelion suspended from the center of a pinwheel of very fine parachute. It not only keeps the seed airborne to scatter in the wind - it makes for a perfect landing with the seed down.

The seed of the dandelion suspended from the center of a pin wheel of very fine parachute. It not only keeps the seed airborne to scatter in the wind – it makes for a perfect landing with the seed down.

When I lived in the city I fought the good fight with the weed. I would even treat my lazy next-door-neighbor’s lawn to prevent more from invading my little green space. After all, if I failed to take care of my lawn I would be bringing a pestilence upon my neighborhood. When I moved to the woods I recall that my neighbors chuckled when they saw me unloading a bag of “weed-n-feed”. They gently told me that what I was calling a lawn was really about 10% bluegrass filled in with wild clover, dandelions and any other ground cover that would grow out in the open. Over the course of the next few days I thought about the deer and birds and finally about my own well water and decided to embrace the idea of a wild lawn with no chemicals added. That first summer I learned to appreciate the dandelion and over the years I have explored it with better and better glass.

The dandelion in all it's glory.

The dandelion in all it’s glory.

I have come to see the majesty in that well designed weed.

The first of many

I don’t typically post multiple times a day, but this is important. Today on the way home I saw it. It was there in the woods waiting for me…

The first of many…

Today the first dogwood made it’s appearance in the woods. Spring is officially here.

Carry on.

Holy Macro!

I have been out taking a very close look and am happy to report that spring is springing. It’s not busting out all over yet, but if you look close, very close – it’s all there to see.

Yesterday after work I took a walk with my macro lens. It’s a Leica 45mm f2.8 so I can shoot in overcast conditions or in low light – that pretty much describes the conditions. I love the tonality of evening shots – past the golden hour, but early enough to keep the ISO and noise at low levels.

The remains of our glorious autumn are still around. I snapped this by accident, I was not even planning a shot - stupid trigger finger. Sometimes a great lens makes a decent shot out of a misfire.

The remains of our glorious autumn are still around. I snapped this by accident, I was not even planning a shot – stupid trigger finger. Sometimes a great lens makes a decent shot out of a misfire.

I was beginning to despair. The heat last year did so much damage and until yesterday I saw no buds. They are higher up, I'm hoping they fill in. These are edible and quite tasty in a salad.

I was beginning to despair. The heat last year did so much damage and until yesterday I saw no buds. They are higher up, I’m hoping they fill in. These are edible and quite tasty in a salad.

I don't know what these are called by my "lawn" is full of them. This shot focuses on the center of the plant.

I don’t know what these are called by my “lawn” is full of them. This shot focuses on the center of the plant…

...while this shot focuses on the outer blossoms.

…while this shot focuses on the outer blossoms.

These flowers appear to float in the woods. They are about a half-inch across...

These flowers appear to float in the woods. They are about a half-inch across…

...and resemble very tiny roses. These are tough to shoot because the are on very thin branches that move with any breeze.

…and resemble very tiny roses. These are tough to shoot because the are on very thin branches that move with any breeze.

This inch-long bundle of feathers is suspended over a limb on the lilacs...

This inch-long bundle of feathers is suspended over a limb on the lilacs…

...another view of the debris from the impact - the breeze makes the lower portion blend together.

…another view of the debris from the impact – the breeze makes the lower portion blend together.

This is a hole in a large rock I have on the patio - it fills with rainwater and the birds drink from this crystalline cavity.

This is a hole in a large rock I have on the patio – it fills with rainwater and the birds drink from this crystalline cavity.

Springtime is about exploration and discovery for me. It’s the perfect time to take that macro lens out for a walk.

It’s a Small, Small World

Early spring in the Ozarks is a mixed bag. Soon the hills will erupt in color, but not just yet. The trees are still bare but budding. Sometimes if you want to see what’s going on you have to get closer – much closer.

I have been getting up close and personal with nature – collecting shots with my Leica Macro lens. Sometimes when you get close you see beauty or complexity in the most mundane things. Color emerges, structure is revealed, discoveries are made.

The dandelion is far more complex that it appears from the seat of my mower deck. The center is almost crystalline

The dandelion is far more complex that it appears from the seat of my mower deck. The center is almost crystalline.

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These cover the fields all over this area – they look like a floating purple cloud from a distance. Up close they are more leaves than flowers, but those flowers are so delicate – less than an eighth of an inch across.

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I love johnny-jump-ups, and these remind me of those but much, much smaller. This tiny violet is less than a half-inch across.

From eye level this looks like moss on a rock. When you get down to ground level it is much more complex than expected.

From eye level this looks like moss on a rock. When you get down to ground level it is much more complex than expected.

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These hyacinths are at the end of their cycle. They mysteriously appeared a couple of years ago after my neighbor encouraged me to plant bulbs in the remains of an old cistern.

I don't know what these are, but they look a lot like some I have seen in my neighbor's flower beds. They are new this year. Thank you garden fairy!

I don’t know what these are, but they look a lot like some I have seen in my neighbor’s flower beds. They are new this year. Thank you garden fairy!

 

Here's a closer shot of that blue flower - there is so much structure to these flowers when you get close.

Here’s a closer shot of that blue flower – there is so much structure to these flowers when you get close.

I think this is some form of bluet - it measures about a quarter inch across.

I think this is some form of bluets – it measures about a quarter-inch across.

I'm pretty sure this is southern bluet. Tiny and white.

I’m pretty sure this is southern bluets. Tiny and white.

Is this the face of an owl? Nah, it's just the shell of a black walnut - it was probably a winter  meal for a squirrel

Is this the skull of an owl? Nah, it’s just the shell of a black walnut – it was probably a winter meal for a squirrel.

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The field around the Stone House is a mix of blue grass, clover, and low ground cover like this. An inch-long feather rests atop the ground cover.

I don't know what this is, but it is very tiny - smaller than a head of a pencil. It is so small that it's color is not even visible until you get very close to the ground.

I don’t know what this is, but it is very tiny – smaller than a head of a pencil. It is so small that its color is not even visible until you get very close to the ground.

I see these every year, they are low - under the grass. This one seems to have extra petals.

I see these every year, they are low – under the grass. This one seems to have extra petals. I love its star-shaped foliage.

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This is ice – water frozen in the bird bath.

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Daffodil buds emerging.

Water condensing inside the stalk of a daffodil.

Water condensing inside the stalk of a daffodil.

Getting these shots required me to get down in the dirt and undergrowth. Getting closer is not always easy, but is usually worth it.

These are a Few of My Favorite Things

You know the song.

Since Thanksgiving you’ve heard it a hundred times. Listening to the lyrics it’s not explicitly about Christmas, but it is from a movie we watch during the holidays. The list in the song is not my list. I’m not big on whiskers – I prefer the rest of the kitten. I don’t think I need mittens when using a kettle – it’s all a bit disjointed. Lyrically it’s genius – in practical use it’s not my cup of tea.

So what would my list be? I decided for my 100th post to share the list of things that inspire me behind the lens.

Raindrops on…

Anything.

Naked Lady in the rain

Naked Lady in the rain.

You can see my house inverted in this raindrop

You can see my house inverted in this raindrop.

A newly opened dogwood drenched in the rain

A newly opened dogwood drenched in the rain.

Lilac buds shining after a shower

Lilac buds shining after a shower.

I love redbuds - the first color of spring

I love redbuds – the first color of spring.

I’m not so much into bright copper kettles, but I am fascinated with…

Rust.

This is the rust and patina on my copper fire pit.

This is the rust and patina on my copper fire pit.

This hay rake was in my woods when I bought the house - every surface is beautifully rusted.

This hay rake was in my woods when I bought the house – every surface is beautifully rusted.

This padlock was on the jail in Midas Nevada. The lock spoke to me more than the shack it was attached to.

This padlock was on the jail in Midas Nevada. The lock spoke to me more than the shack it was attached to.

I don’t even know what schnitzel is – it sounds odd to me. I know it’s odd to love…

Dandelions.

I like the delicate structure and I like to find a way to look at them in new ways

I like the delicate structure and I like to find a way to look at them in new ways.

The structure of the actual flower is pretty amazing even before it goes to seed.

The structure of the actual flower is pretty amazing even before it goes to seed.

The substructure is so intricate. I shot this with a manual macro lens from the 70s.

The substructure is so intricate. I shot this with a manual macro lens from the 70s.

I grew up in the desert so the idea of sleigh bells is foreign to me, but door bells make me think of home. I have a strong bent towards…

Sentiment and Kitsch.

I love kitsch and I love it unusual places. I have had lawn flamingoes in the front lawn of every home I have ever owned.

I love kitsch and I love it unusual places. I have had lawn flamingoes in the front lawn of every home I have ever owned.

Keys

These are my Grandpa’s keys. I love shooting things that belonged to someone special.

Purple Glass

My Grandma taught me about purple glass, I love to shoot things that are transparent and have color.

Apricot Pit

My great-grandfather carved this out of a peach pit. I love the surfaces of handmade things like this.

Snowflakes that stay on my nose and eyelashes. I like snow, but not so much for its photographic opportunities. I prefer…

Spring Flowers

First color on the ground often before the grass starts to green up.

Crocus – the first color on the ground, often before the grass starts to green up.

Cherry Blossoms open skyward

Cherry Blossoms opening skyward captivate me.

Daffodils have amazing color before we even notice them

Daffodils have amazing color before we even notice them.

Lilacs open as the sun hits them - here for too brief a time.

Lilacs open as the sun hits them – here for too brief a time.

My garden fairy planted a few of these a couple of years ago in a spot were there was once a cistern. I love them.

Hyacinths – My garden fairy planted a few of these a couple of years ago in a spot were there was once a cistern. I love them.

Cream colored ponies and dogs biting. I’m not too far off here.  I love the company of…

Dogs.

Sunshine is my Goldendoodle. He’s a lovely goofball and is a bit camera-shy, I like to catch him when he is unaware of me.

These are my brother’s pointers – I shot this one Christmas when Vegas had a rare snow. I loved the sheer joy the pups exuded as they ran in the frosted desert.

These are my two female terriers. They hate each other’s guts unless they are sleeping – they are precious when they sleep.

This is a pup I met on a trip – I love that he was interested in my camera. Curiosity is a favorite thing to capture in an animal.

Zipper was my first Kayak dog – he was so relaxed on the water.

Brown paper packages, blue satin sashes, silver white winters – there’s a lot of color in this song. I love color and am drawn to vivid colors. One color draws me more than all the others.

I shoot anything that is…

Orange.

The color of this car drew me to it - hundreds of cars and this was my favorite.

The color of this car drew me to it – hundreds of cars and this was my favorite.

I'm pretty sure I chose this hard drive for that orange bumper.

I’m pretty sure I chose this hard drive for that orange bumper.

In the shop where I work I see lots of color, but this set of mixers caused me to go get my camera.

In the shop where I work I see lots of color, but this set of mixers caused me to go get my camera.

These Tiger Lilies grow wild around the Ozarks. I have them pretty thick in the springs right at the edge of the woods

These Tiger Lilies grow wild around the Ozarks. I have them pretty thick in the spring – right at the edge of the woods.

This sunset was so vivid that I missed an appointment when I stopped to shoot it.

This sunset was so vivid that I missed an appointment when I stopped to shoot it.

Now that winter is here and it’s a grey day, I simply remember my favorite things and then I don’t feel so … bad.

My Box of Ozarks Crayons

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An Ozark Spring starts with plentiful rains followed by waves of colors – vivid and saturated like a box of crayons. Forsythias, red buds, dogwoods, violets, daffodils….on and on from late March through August.

Like much of the south, the Ozarks are under pretty extreme drought conditions this year. The season started well and just stopped in mid May. Except for some roadside chicory, the color is all but gone. The field grasses are yellow, the earth is crunchy. I miss my crayons….

Fuscia
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Red
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Purple
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Yellow
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Pink
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White
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Blue
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Green
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Violet
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I know that the drought, like all things, will pass. The colors will be back.