Black Friday in Boxley Valley

Posted on November 30, 2013 by artsifrtsy

When I moved to the Ozarks I imagined that I was leaving behind the pressures of city life, that I would be living at a slower and more manageable pace. I’ve always avoided the mall on Black Friday like the plague. People change under the pressure of the potential deals laid out before them. You won’t catch me camping out at Best Buy for a week or fighting off another shopper for the last bathrobe on sale. I’m not opposed to Black Friday at all, it’s just that for me the three dollar savings on an iPod is just not worth the stress. I have also found that with all those rabid shoppers occupied there are other places that are magically tranquil and serene – at least that was what I expected to find as some friends and I made our annual Black Friday pilgrimage to the Boxley Valley to visit the elk.

Now I have posted about Boxley several times, it’s not like I only visit on Black Friday – but it is a day that is typically quieter. Shoppers are otherwise occupied. It is the last half of the rut and action is often sparse. Personally, I find these creatures to be magnificent and love to see them any time – in velvet, during the rut, in the dead of winter – I’m game for the drive over.

The peaceful setting of Boxley Valley is no stranger to the pressures of Black Friday…

Sadly, the consumerism and pressures of the outside world have intruded into my peaceful valley sanctuary.

It all begins with the crowds lining up to get a look at sales and specials.

They’re opening the doors – I’m headed straight for that shiny new crock pot!

Listen up! Don’t even think about heading to the crock pots – that new red Sunbeam is mine!

I’m not kidding – I will fight you for that crock pot! Don’t even think about it!

The doors are finally open – crock pot, today you are mine!

I told you buddy, that crock pot is mine!

There is no way I’m losing out on this crock pot to a crack pot like you!

I’m gonna have to dig deep to hold onto this crock pout!

Can you believe these two are tussling over a crock pot when everything is half off at Old Navy?

You messed with the wrong bull buddy – you are going down. No crock pot for you!

I can fight on forever knowing that I will get 20% off that crock pot! Savings like that fuel my fire!

I will never surrender my crock pot!

Victory is within my grasp – I can see that crock pot and it has my name on it!

Victory is mine! A red Sunbeam self timing crock pot with a thermometer and a locking lid – I’m living the dream baby!

You cows can’t touch this! I got the crock pot! I got the crock pot!

Doing my crock pot victory dance!!

Victory is so sweet, but not as sweet as the deal I got on that crock pot!

Maybe I should go over and check out the specials at Old Navy…

Meanwhile at the Food Court…

Family Dinner

Girls night out

Open Seating

Frozen dinner

Kids Meal

Meanwhile our victor is enjoying the spoils of his shopping day…

Wanna come to my place and check out my crock pot?

The holiday season is officially here and I am thinking that the madness of Black Friday will pass soon in Boxley Valley, although I hear that Cyber Monday is madness. Be careful out there, it’s not worth an antler in the ear to save a couple of bucks.

If you want to read more about the amazing Boxley Elk, check out these links:

Frozen Flora – the Season of the Frost Flower

Posted on November 24, 2013 by artsifrtsy

The hills of the Ozarks are a wet place. Rain water becomes spring water or ground water as it passes through our limestone karst topography. As it gets colder out the bluffs leach out this water in the form of icicles. On the ground below the bluffs the water trapped inside the stalks of tall plants expands. This ice takes on amazing forms – frost flowers appear at the bases of these plants. They appear on mornings where the temps are below freezing and disappear as the temperature rises.

It’s been unseasonably cold for a few days. I have been lighting a fire most evenings to warm up the old Stonehouse. This kind of sustained cold is more common in January or February. This morning when I took a look at the forecast I thought that even though it’s a couple of months early, the conditions were right. I packed up my macro lens and hit the highway. I had to slog through some semi frozen mud, but is it was worth it. Fields and fields of frosty blossoms.

I used a macro light on the super close-ups and a flash on a couple of shots. I wish I had taken the tripod, but the white light of an overcast day let me shoot fast enough to get away without it.

Click through and get a sense of the flower and the intricate shapes that make them up. I’m off to the kitchen to make some hot apple cider. Stay warm.

Frost Flower

Frozen Petals

Cyclones

Switchback

Waves

Curtains

Icy Blossom

Swirl

Cotton Candy

Funnel

Spindle

Curls

Sheers

Spun silk

Folds

Arches

Splash

Sheers

A Tilt-shift View of Eureka Springs

Posted on November 11, 2013 by artsifrtsy

I have written a couple of posts about using my tilt-shift lens set up recently. I wrote about using the technique to give motion and focus to a country road, and used it to take some portraits of an old friend. I thought I would do a post how tilt-shift is typically used. The tilt-shift lens can be angled so that it is not parallel to your camera’s sensor – this gives you a slice of focus and changes the perspective of your shot slightly. It is mostly used to give a feel of miniaturized cityscapes. I don’t live in a city so I went to a scenic overlook in town. It’s a tree covered area that is about midway between the bottom of the hollow that is Main Street and the top of the ridge where the Crescent Hotel sits. Shooting through trees makes it tougher than the shots you typically see – classic tilt-shift is shot from high above and focuses on the tiny details below. It’s all manual – you tilt then focus by hand. You can set the shutter speed and ISO in camera, but the rest is all done by the photographer.

Here’s a little tour of the city I call home at just past the peak colors of autumn – Eureka Springs, Arkansas, one of America’s favorite SMALL towns. All of these shots were taken from the East Mountain Overlook, facing west.

At the top of the ridge the Crescent Hotel holds the high ground with a view that over looks the city and surrounding hills

Many cities across the country have a Carnegie Library – Eureka Springs has one and it’s a gorgeous jewel box hidden in the trees.

Down the hillside this yellow house sits on a steep road surrounded by trees

Looking through the trees you can see the Pink House. This shot really gives a sense of miniaturization created by the tilt shift lens.

From this vantage point a church steeple rises above the treetops.

Focusing on the picket fence from the overlook lets everything beyond melt together in a blur of colors. The Crescent sits there atop the trees.

So what do you think of tilt-shift photography – is it interesting or does it make you dizzy?

Chasing the Sunset

Posted on November 8, 2013 by artsifrtsy

I love a colorful sunset. I live about 15 miles west of my place of employment. It’s a winding country drive. On a few special evenings a year I spot some color and chase it down as I drive westward towards home.

Standard Time sure limits my opportunities though. Late last week – on October 31st – I got the chance to capture the last sunset of October. It will likely be the last one I catch on my drive home until spring.

I shot these with my fast 50 portrait lens. I end to close down the aperture a bit shooting sunsets – I am not looking for blur or bokeh. I want color. These were all shot between f4-f6.3. Shutter speeds are slowed down a bit for detail around 1/60 sec – ISO at 200 except for the shot of the Crescent – it was at 800 because I was losing light fast.

Leaving the parking lot at work and looking west I could see promising color in the sky. My first chance to pull over was three miles down the road at the Grandview turnoff – it’s a spot where you are elevated just enough to see the horizon.

Moving west another few miles – the color became so amazing that I had to stop and shoot, even if the setting was not optimal.

By the time I got to my favorite spot I had just minutes of light left – the clouds had moved in and the color was gone – still the last light on the tree tops was pretty spectacular

Country Roads – a Tilt-shift View of Autumn in the Ozarks

Posted on November 7, 2013 by artsifrtsy

My bird lens is on the fritz, 9 days at Olympus for repairs and counting. Arrrrgh! Peak fall color hit about 10 days ago so I have not been able to get my leaf shots – it’s something I look forward to all year. The last two weeks have been rainy off and on so shooting days are few and far between anyway. Last weekend a kind of panic hit me – shoot now or miss the whole season. I started by taking a couple of snaps on local roads with my portrait lens – not my favorite for these kinds of shots – but serviceable.

Driving into the light – I like the way the sunlight makes you wonder what wonder is around the curve.

Peak color on my county road. I love the sun coming through the color, but on a hill like this it’s hard to draw the viewer into the scene.

Caution: Curves and Color Ahead! This is my favorite road to drive on in the fall – Magnetic Road. The only place to stop is in the driveway where I am standing, and that’s too bad. The color past that s-curve is unbelievable.

I love this spot – but capturing it is not easy – there are layers of distractions on both sides – finding the right focal point is always a challenge.

Shooting down roads has always been a mixed bag for me. I tend to shoot things that I can isolate like birds or leaves or objects. A scene can take me in, but capturing it effectively can often elude me. I had been playing around with a tilt-shift set up and wondered if I could use it to look into the distance on these country roads – to use it in a way that would help the viewer to get a better sense of what I feel when I am driving down one of these roads – crisp air, crunching swirling leaves, filtered sunlight. Can I take a photo that makes you feel these things?

I know I have explained this before, but just in case – a tilt-shift lens lets you move the lens at an angle so that the plane of focus is not parallel to the camera’s sensor – it gives you a “slice of focus” and lets you hone in on certain objects that you want to highlight. It is often used to distort an image to give it the feel of miniaturization.

Shooting gear that you are not completely comfortable with is often a good thing – it gives you a new perspective – it pushes you to try new things. Sometimes the distortion is unsettling, sometimes it’s almost painterly. For me, many of these shots give a better sense of the feel of the roads in the autumn.

These shots were all taken in the last few days, some from the same locations as the earlier shots.

The tilt-shift lens allows me to focus in on the little house below the curve – the color is vibrant, but not distracting.

The tilt shift allows me to let you see into the space in an uphill shot. Focusing on trees at the curve makes you want to see what else is happening in the distance.

This is one of those spots where you see a road, but it’s hard to get the sense of space. The tilt-shift lens allowed me to focus on the tree in the foreground and that pushes the road back, giving it some depth.

Shooting up a hill into the misty sunlight right after sunrise – I focused on the light area above the road and it created the feeling of a tunnel.

This shot was taken from the same driveway on Magnetic Road – but looking down the hill instead of up – here I focused on the leaves on the ground at the curve. The details beyond, like the fences give the image a deeper sense of space.

Here’s that same angle up the hill on my favorite road. I struggled to choose which details to focus on, even so the blurring gives the feel of racing up the road amidst the falling leaves.

This is a tilt-shift image of the same curve with the tree in the middle of the road – the tilt shift lets me make that lone tree the star of the image – I was hoping for the feeling of going through a tunnel of tree branches and this comes pretty close.

This is the same spot shot this morning at sunrise – this is one of the last days the color will still be vivid, the leaves are coming down fast. The brightness of the sunrise accentuates and adds to the color while adding a blue tone to the shadows. The leaves feel almost like confetti – Autumns last hurrah.

OK – so no skyward leaves or birds amidst the color for me this year. Not having my favorite lens should limit me – but instead it’s forcing me outside of my happy place – and that’s a good thing.

An Old Friend and a Camera Lens

Posted on November 5, 2013 by artsifrtsy

I recently saw an impressive tilt-shift image posted by a friend on Facebook. It was a long shot of the autumn color here in the Ozarks. It made me think about my neglected tilt-shift set up. Languishing in the old camera bag, I hadn’t touched it in over a year. Frankly, it intimidated me. I used it a couple of times and got 2-3 images that I liked – but it took more work. It was less intuitive. Getting good color was not as easy since the set-up only works in manual – you can set your shutter speed and ISO – but the rest is all you. I wrote briefly about using it ages ago in one of my early posts, and I got one shot from that afternoon that I regularly sell prints of.

This is an image I took last year with the tilt-shift lens at a local lake. The tilt lets me focus on a small portion of the image and lets the rest blur. It takes a boring angled shot of a dock and makes it pretty interesting to investigate visually.

Here’s how tilt-shift works – the lens is offset at an angle from the sensor – so your plane of focus is not parallel. That angle lets you selectively focus on a single portion of the image and lets the rest blur. If you have seen images of city shots where the people and cars look like dioramas – those images are tilt shift. That plane of focus shifts the perspective creating the illusion that things are smaller than they really are in proportion to the overall image. The gear it takes to do this is pretty cool. It kind of looks like a mix between Frankenstein and Steampunk –

This is my tilt-shift set up – note the aperture ring in the center – its a coated metal disc held in place by magnets. To change the aperture you change out the ring. f22 is like a pinhole. f1.4 is no ring at all.

A side view of the tilt-shift set up on my tripod. Each of the threaded rods help you to fine tune the shift. For the shots in this post I went with a more casual approach – point, focus, shoot, try again.

You compress the outer ring towards the camera body at an angle until you see something that you think is interesting. Once you get a sense of the image you lock that ring and then you can focus using a slide on the ring. I find that it works best to find a sweet spot and then look for things to focus on within your field of vision. At this point it becomes more intuitive.

I’ve been shooting some landscapes this way and will probably write a post about them soon, but last night on my way home from work I had a chance meeting on my road – an old friend approached me as I was checking my mail box. All of the shots that follow were taken shortly after sunset. I removed the aperture ring altogether to let in as much light as possible.

My road at sunset – by choosing that one spot of brighter color in the distance to bring into focus, I make your eye look down the road and into the photo.

This is my friend Ben. He lives across the road from me and sometimes visits with me while I get my mail. I never noticed how close in color he is to the road before. I shot him as he moved towards me and lucked out on the focus.

It took a couple of shots to get Ben to look at me without moving towards me. I focused on his eyes – in a shot like this the eyes are all that matter.

As I move towards my Jeep, Ben decides to call it a night. In the low light I had to just try to get any part of him in focus.

Here I was able to grab a little focus on Ben’s face. I noticed the oranges in the upper right – I started to move to bring them into the next few frames.

Ben really cooperated by moving across those colorful leaves in the background – he’s a real pro.

Ben turns to go home. Home looks like a magical place in this light.

Ben takes a last look into the woods.

Ben looks my way once more as he heads home. It’s always a treat to see an old friend.

Ben is a wonderful old friend. Every time I see him at the mail box I roll down the window and say hi. At first he was much more interested in some petting than in being the subject of a blog post, but he rolled with it. The wonderful thing about tilt-shift is that it lets you look at something you see all the time and see it with new eyes – a fresh perspective.As I shot I thought about his noble look, his curious and kind eyes, his friendly posture. It’s always good to look at an old friend with new eyes.

the eff stop

Adventures of a shutterbug

Monthly Archives: November 2013

Black Friday in Boxley Valley

Frozen Flora – the Season of the Frost Flower

A Tilt-shift View of Eureka Springs

Chasing the Sunset

Country Roads – a Tilt-shift View of Autumn in the Ozarks

An Old Friend and a Camera Lens

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