Are There Fallow Deer in the Promised Land?

Yesterday on a lark I decided to visit a local attraction called the Promised Land Zoo. I live near a tourist destination and its surrounded by attractions. Having grown up in the ultimate tourist destination, Las Vegas, I’m typically skeptical of attractions – but this one did not disappoint. It had a sweet petting zoo at the entrance followed by a driving tour that covered over 100 acres. Hundreds of animals graze in the open fields of the meadows below the highway entrance. I was especially taken with the fallow deer.

Fallow deer are native to Eurasia and have been exported to every continent with the exception of Antarctica. They are relatively small – except for the older bucks they are about the size of a large goat.

There are 4 varieties of fallow deer. This guy is one of the common variety. He approached the driver’s side of my jeep, looked me in the eye…

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Then bowed and raised his head up high.

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He bowed and raised his head over and over until we moved on.

It is said that the Romans imported fallow deer to Europe and the Normans brought them to Britain.

These are the menil variety, they have spots like the fawns of the American whitetail all summer long no matter their age. The white spots mimic the play of light through the trees in the woods. These make up the largest portion of the herd at the zoo.

These young fawns seemed to have a natural curiosity about the jeep. They did not rush over towards the jeep, but they did start wandering my way each time I stopped the vehicle.

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The young bucks have simple spikes for the first couple of years.

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After their third year they develop palmate antlers similar to those on caribou.

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All of the adult males seem to have this same curved neck that resembles an Adam’s apple.

There are historic herds of fallow deer in Sweden that date back to the 1600’s.

This buck is of the menalistic variety. He approached the passenger side eagerly. He stopped short about 6 feet from the jeep and started to throw poses my way.

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The approach…

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The stare down…

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The profile…

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Turning on the charm.

The fourth variety is leucistic – a white variety that is not albino.

Seeing this buck lying on the grass it occurred to me that these deer look like something out of a renaissance etching or coat of arms. They are small and approachable, but they are almost regal. Large piercing eyes, huge antlers, and a dramatic and curvy shape. To my American eye they seem just a bit exotic.

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I read last night that they are easily tamed…

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Driving through this herd I would not call them tame, but they are quite curious…

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I was in their territory, so they walked over to check me out…

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And calmly looked me over.

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There is something sweet about their nature. They don’t seem to be on alert like the local white tails.

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This is a nursing fawn in the petting area. She is bottle fed and is incredibly tame….

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When she grows up she will rejoin the herd in the Promised Land.

Everyone Loves a Parade – Mardi Gras in Eureka Springs

I have done a lot of posts about birds lately so I thought I would change things up. These are a series of shots from last winter taken with what was then a brand new lens – it’s now one of my favorites.

I live in a small village in the Ozarks called Eureka Springs and we love parades! Christmas, St Patty’s, Art’s Festival, VWs, Corvettes, Antique Cars, Diversity, Folk Music and more. Most of our parades are a part of the party we throw for our visitors. We host festivals on dozens of weekends throughout the year. Come see us during VW weekend and we’ll throw a party with a parade and you can be in it! But there’s one party we throw that is unabashedly about us.

In the dead of winter we crown royalty from among our own citizenry and host a week of parties culminated by the annual Eureka Gras Mardi Gras Parade. It’s one of my favorites. Instead of a visitor in a Model T, I get to see our own folk decked out in their best finery with beads-a-plenty. We’re not New Orleans – but that’s OK. Everyone’s welcome, even if you aren’t a Eurekan.

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There’s something uber fancy about adding some beads to any ensemble

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Adding an ostrich feather sets just the right mood.

This year I decided to make myself us only one lens.  No bag, just my camera and a single lens and a strap. I had just gotten a Leica 25mm 1.4 portrait lens and decided it was the one to try out. I shoot a mirrorless M4/3 system so the focal length is equal to double the number so this lens is the equivalent of a “fast 50”.

I love this lens and I love the freedom to just shoot. It was so nice to dive in and out of the crowd and not worry about my equipment. With our parades no one cares if you just jump in so I did and got as close as I could to those in the middle of the action.

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I think this guy might have been a Grand Marshall – I don’t think he got the memo about the dress code.

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I did not realize that I knew this lady until I posted the image on Facebook.

Of course it’s fun to shoot the crowd in between floats. The noise and the crowds make this parade a joy to be a part of and the faces of those in the parade echo those of us who were just watching.

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This is Judy – We both have birthdays near Mardi Gras so it’s just another party.

One of the things I love about this lens is the way it can isolate the subject. Casual portraits are pretty easy to pull off. I love the control I have over the DOF.

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This is my neighbor Lynne – all beads and grins.

As the royal court approaches the beads really start to fly. I was actually hit in the face several times – too busy trying to get the shot to go for the beads.

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A member of the Court tosses beads into crowd.

The next three shots are from a series of a woman who was originally from New Orleans – the gusto she had for the enterprise of tossing beads into the crowd were amazing – these were my favorite shots of the day – Duchess Pamela.

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Wave

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Wind-up

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Follow-through

This Duke can’t quite get the beads free to toss.

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Tangled

This gentleman owns the local Indian restaurant. I love his smile.

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Turbaned Duke

This lens lets you pick a face out of the crowd. This is my friend and co-worker Sharon.

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Beadmobile – the crowd’s looking up because beads are flying down.

This young man was all about the beads – he was focused on grabbing as many as possible.

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This young man was in the crowd with us – his face painting is awesome.

Some of the floats were quite tall so you get a chance to play with the perspective – the King towers above the crowd.

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Here comes the King!

In between the royal floats there were these fellows on bicycles. I love how this lens let me capture the streamers in motion.

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Steampunk Bicyclists follow the royal procession.

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I’m thinking this is a great idea for those who just don’t want to commit to a full sleeve full time.

These kids we part of the Queen’s court – they did the bead tossing for her.

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The Queen’s Helpers hoist beads into the air.

Of course we needed someone to control the crowds and keep the peace.

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A bedazzled officer on crowd control

I typically try to avoid shooting into an overcast sky – but on this day the colors were so bright I shot up to get Alice letting loose.

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Looks like Alice has gone down the rabbit hole and come back with lots of beads.

As the parade ended I got a chance to see some more locals adorned for the day’s events.

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This little guy was worn out. Amazing he could sleep over the brass bands.

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A beaded chapeau

I love the way this lens made me get close. There were moments when I wasn’t just watching the parade, I was in it. Now I don’t consider myself a street photographer – but I do love a parade.

Chrome Sweet Chrome

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I’m a car nut – have been since I was a little girl. It’s all my Grandpa’s fault.

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When I was about a year old my Grandpa bought a new car for to celebrate his and Grandma’s 25th wedding anniversary. It was a 1963 Impala Super Sport.

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It’s the very first car I remember riding in.

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I went almost everyplace with my Grandpa when I was young. He was pretty crazy about me and I was crazy about him as well.

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While we would drive along he would play this game with me – I would point out an old car and he would tell me the make, model, and year.

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I could never stump him. He knew the differences in the small bits of trim and chrome that separated a ’49 from a ’50 Chevy or what defined a Pontiac from a Buick made in the same year.

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I learned about Buick portholes, Pontiac chevrons, and Caddy V-crests.

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I learned which hood ornaments were on which models…

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Which models had a Continental Kit…

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I began to look at the details of a car as well as the sweeping lines of the whole.

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My grandfather left his family farm as a young man and got his first job in town painting cars.

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He knew how to care for a car’s paint and I learned to wax a car by watching him wax that Impala nearly every Sunday.

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The miles we spent in that Impala – around town, around the state, all over California, and to Nebraska and back…

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When I was very small I was sure the chrome jockey box in between the front seats was built just for me. Later on trips I thought the indentation of the speaker in the back seat was made as a place for me to rest my head.

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In the mid 60s my grandparents opened an upholstery shop. I learned the meaning of tuck-and-roll and grew to love diamond-tufting.

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Grandpa did a lot of furniture but he specialized in car and airplane upholstery. He told me once that a new convertible top would tighten right up when left up in the desert sun for a few hours…

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That the details of the interior were just as important as those on the outside…

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That a perfect interior was the sign of a well cared for automobile.

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As I entered my teens he planned to pass that lovely Impala on to me, it was finally time for him to buy a new car.

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My folks were having none of it so he reluctantly sold it for twice the price be paid for it.

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I learned to drive the family sedan and the first car I ever owned was the LTD he replaced the Impala with. I bought the car from my Pop who Grandpa had passed it onto a few years earlier. It had not been cared for so well after leaving Grandpa’s driveway so my time with it was short.

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Somewhere along the line I bought an old Jeep, just like one my grandparents had owned when I was a kid. Grandpa insisted on taking me out into the desert to learn to drive it off-road safely.

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I went through a couple of odd cars until I was almost through college. I became obsessed with first generation Mustangs.

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I found one I felt I could not live without, the owner said it was 99% restored – I guess if you didn’t count the engine or interior that he was pretty accurate. My Grandpa gave me a loan to buy it and together we restored it. His arrangement with me was that as long as I graduated from college, the restoration was his gift to me.

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The real gift was much more that parts and paint. It was the time we spent each week and the satisfaction we felt as we saw it come closer and closer to a completed project.

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We scoured junkyards looking for elusive parts. He bought me a buffer to keep the paint looking showroom perfect.

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Every Friday for a year and a half we started a new project. Paint, chrome, AC, carburetor, upholstery – the day we had the carpet installed he sat down next to me in the passenger seat and beamed as he told me it smelled just like a new car.

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It may not have been our beloved Impala, but it was a car we both loved. Each time I drove it I could see him in it.

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I could see his hands in the details. One time after our drive he was concerned about a rattle. When we got home he took a screwdriver and disassembled the dash looking for the source of the noise. He did the same thing on his own car.

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When the time came for me to move on to a new town in a new state I packed up that Mustang. I wept upon leaving him, but took comfort in taking a part of him with me in the car we restored together.

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I kept the Mustang for several years until the snows of the Cascades made it impractical. It was Grandpa who urged me to sell it and buy something safer.

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In the 90s I was restoring a 1967 Buick Riviera. Grandpa gave me some good advice and helped me solve a few technical problems. He also told me when it was time to let it go and move on.

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He advised me on all matters automotive for the rest of his life. He advised me on all matters non-automotive as well. His wisdom and belief in me gave me the courage to try new things – to pursue my dreams, even if they lead me away from him.

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I took these photos yesterday. I was at an annual antique car festival in Eureka Springs, Arkansas.

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As I saw the parking lots in our tiny Victorian village filled to overflowing with so many gorgeous old cars that had been lovingly cared for, I thought of the details that Grandpa taught me about…

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I found myself identifying so many of them based just on these details.

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The owners patiently listened as people like me shared our memories of cars gone by.

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There’s something about an old car that brings these memories to the forefront. We all remember the cars of our childhood or the great times we had in cars with friends and loved ones.

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These days I live out in the woods where a classic car is just too impractical – even as a hobby. I miss working on one like I miss my Grandpa.

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When I see an old car that’s been lovingly cared for, no matter what the make or model I think of him.

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But when I see an Impala, it all its splendor, I gasp and am taken back to that place where I sat in the passenger seat alongside the most noble man I ever knew…

…and many more

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Today is Mary Jane’s 99th birthday. She’s one of my closest friends, someone who has taught me a great deal about life. I consider her a mentor and love spending time with her. She’s a year older than my Grandma would have been, and she was raised only 30 miles from my Great-grandfather’s homestead, so I suppose that she has some mannerisms that feel familiar to me. Like my Grandma, she is an excellent story teller.

I connected with Mary Jane the first time I met her. I live in the house her father built in the early 1920’s. I called her one winter day not long after I moved and introduced myself. I had been told that she was close to 90 and could tell me a lot about the my place. She had some difficulty hearing, but we had a nice enough conversation.

The next morning she was at my door – she had driven her convertible K-car through the snow and up my 100- yard-long driveway through the woods. When I first saw her, I assumed she was her 70 year old daughter. She was agile, sharp as a tack, and excited like a kid in a candy store to show me around my own house. We climbed up in the attic and down in the cellar. She told me my front door was actually the side door, that the strange molding in the attic was the missing plate rail from the dining room wall, and lots of other structural details. When she got to the porch she saw that I had re-hung some screen doors that I found out in the shop over the french doors. She got a little choked up as she told me that she had helped her father make them as a child.

We sat down in the living room and she told the story of her mother reading Better Homes and Gardens and seeing an article on the “California Bungalow of the Year” home plan. She fell in love with it so they ordered the plan for $25 and built it themselves from the rocks cleared from the land that they farmed. She even showed me a pile of surplus stone in the woods near the house.

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Over the following weeks Mary Jane would pop in to visit and tell me more about the house. One day the following spring she called to ask if I would like to go for a “walk” – I agreed and we took off down what looked like an abandoned driveway off the dirt road we both live on. She took me down into the hollow and across the bench (her term for the limestone formation where springs form) to the spring several hundred feet below my house. She shared how they had used a hand crank to bring water up to the house from this spring. Next we went back down the bench in the opposite direction until we came to an amazing pivot rock formation – this is an old photo shot on that first hike with a cell phone – I hadn’t imagine we were going to see so much on a “walk”.

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That day we did about 3 miles up and down and I learned one of Mary Jane’s secrets to health, not only is she a “walker” but she loves being out in nature. She knows about plants and herbs. She has an almost childlike love of wildlife. She has an encyclopedic knowledge of wildflower varieties. She told me the other day that her favorite thing in life is to “walk the earth”.

Over the years we have walked hundreds of miles together and she continues to amaze me. Here’s a shot of her at about 93 years old, “bushwacking” through the woods to find an old trail.

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Something I have noticed about Mary Jane – when we get out into the woods she has no problem finding a place to sit and take a break. It’s almost like she is “one with the woods” – its truly her favorite place.

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I’ve also noticed that she typically walks with a pole or stick – she has several at her front door. For her 95th birthday I gave her along one with a large top – when she carries it she looks like the queen of the forest.

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This one is my monopod – high tech, low tech – no matter to Mary Jane, a broom handle will do.

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Mary Jane had mentioned to me that she wanted to see Crystal Bridges – its an amazing new museum of America Art located in Bentonville, Arkansas. It’s nestled into a hollow over an active spring and was built with a eye to disturbing as little of the natural site as possible. It’s surrounded by gorgeous trails and hiking paths. Last month I took Mary Jane to see it, not sure if we were going to look at art or go for a walk. Once we parked she told me that she was much more interested in the outside than in the inside – so off we went.

She had never seen a tulip tree – you can see the wonder in her eyes as she sees her first.

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She lights up when she is in the woods.

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We took a break when we spotted a kitten in the woods.

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We finished two trails, about a mile and a half. We came to a courtyard with gorgeous flowers that she had never seen before and discovered that they are called Mary Janes:)

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At the end of our walk she told me we need to go back in the fall – she can only imagine how beautiful these trails will be in the fall.

I think that attitude sums up what makes Mary Jane the vibrant person that she is – she’s 99 and still has a sense of wonder and discovery, she still looks forward, and she still loves to walk the earth.

Happy Birthday, my friend.

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Saturday in the Park – hotter than the 4th of July

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This weekend the real heat of summer settled over the Ozarks. We hit triple digits and in this humidity that an be brutal. I met a friend at a local lake – she was introducing some friends to kayaking. I knew I couldn’t take the heat on the water so I stayed on the docks and played with some newer gear.

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This is a shot of the docks taken with my Lensbaby set up, shown at the top of the blog. It’s a tilt-shift system – meaning that you tilt the lens so that it is no longer parallel to the sensor, this gives you a slice of focus that is tilted away from the sensor. This look is used a lot in those photos that look like dioramas or miniatures. I think that look is cool and I’ll probably try it at some point but for now I am interested in experimenting with the shift. I’m not interested in sacrificing composition for a novelty effect.

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These shots let you see how the focus is off center – the second one really shows how the focus is tilted when you look at the license plate.

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This is a stack of John boats and canoes on the shore. I made the grass near the canoe my focus, letting everything blur towards the edges.

Of course I cannot go anywhere without trying to practice capturing images of flying things and the Lensbaby is just not the tool for that –

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Song sparrow

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Resting dragonfly

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Nectar filled blooms

I’m always game to try new things photographically – it pushes you to master a new skill set. I’m just a noob when it comes to tilt-shift, but I’m intrigued and curious about the potential. I think that’s a good thing for an artist.

As I hit the road for the drive home though, the tilt-shift is packed away – my long zoom is in place in case I get a shot at Bambi.

Pink Sky at Night – an Ozark Delight

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These longer days give me lots of time to shoot in the evenings. Friday I was out on a country road and looked to the west to see the sky looking like it was on fire. I focused on the field grass just in front of the fence to capture this image.

It was about 8:00 so I knew I had a short window to drive to a spot with a good vantage point – a downside of living in the Ozarks is that the hills and hollows can block sunrises and sets from view. I went to an overlook built by the local Rotary – I looks out across all of Eureka Springs, Arkansas. I got there as the sky really started to explode with color.

Long Zoom – The 1886 Crescent Hotel at sunset.

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Kit Zoom – with ambient light from the street lamp.

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My portrait prime – last useable shot of the night.

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As I headed out the color lingered, too dark to capture – but lighting my way home. I live in paradise.