I grew up in the desert. I saw snow in a measurable amount about once a decade. Even so, making paper snowflakes was one of my favorite projects in school. Over the years I made them out of various types of paper – tissue paper, construction paper, my report card…you get the idea. I still love to make them – here’s one I made with my power bill that just arrived…

Seems pretty appropriate, given the winter we have had so far. I think I will only pay the portions I can read.

I still love to make snowflakes and have taught dozens of children how to get the open and airy feel over the years. What never occurred to me was the idea that my desert-born imaginings of snowflakes might not be so far off the mark.

A couple of weeks ago we were pummeled with about a foot of show on a Sunday afternoon. People were stranded getting home from church, the grocery store was out of milk and bread, and I had been busy shooting cardinals and other birds as they flocked to the feeders.

I stepped outside and noticed that the snow was really fluffy and wondered what it would look like shot through my macro lens. I knew I needed contrast so I looked for the smoothest flat black objects I could find to capture the flakes. I tried a microfiber cloth, a crock pot, a frying pan – ultimately I ended up turning a black t-shirt inside out. In the weather at the angles I was trying to focus at, a tripod was out of the question, so all of these images are handheld shots. Click through for your very own micro snowstorm:

f/4 1/125 second – This shot is one that make me think of snow in a whole new way, it is NOT solid – it’s mostly made of air!

f/4 1/125 second – The structure of these flakes started me – my snowflakes have 8 sides instead of 6, but that open space inside them is pretty accurate.

f/4 1/125 second – As I got closer I see the shapes become more defined – they are even flat like my paper.

f/4 1/100 second – A very slight shift to the side and the details of the single flakes on the right become clearer

f/4 1/125 second – I went back to the thicker patches of snow and tried to focus on just the shiny spots in the snow – occasionally I could catch a bit of detail. It’s all about depth of field here – this snowy area is about a quarter inch square and half as deep. The slice of focus is just about a millimeter thick.

f/8 1/125 second – I thought I would try a flash with a smaller aperture to try to catch a bit more depth. The planes of the flakes are pretty well defined.

f/4 1/30 second – Here I tried a longer exposure on an area with very few flakes. I see a classic paper shape pretty clearly on the one in the center.

f/2.8 1/80 second – Another longish exposure with the aperture wide open. I was hoping for more detail in the larger flake, the surprise was the one to the right. My classmates occasionally made paper snowflakes with this bulky shape and I made fun of them. I was wrong.

f/4 1/125 second – I continued to try and focus on the areas with specs of snow. Finally I got this shot – the one I was hoping for, a beautiful perfect translucent shape that reminds me of my power bill – not!

So, I guess my power bill really doesn’t compare to the complexity and beauty of something so delicate and perfect, but I think that my classmates and I got closer than we could have imagined.

Shutterbug Notes:

Shooting macro handheld is easier if you use some breathing techniques. It’s kind of like firing a rifle – take aim, exhale, fire the shutter. Exhaling eliminates some movement. It also helps to pull your elbows into your body to make yourself into a tripod.  I prefer to shoot macro from a tripod because it’s easier to focus and play with aperture and shutter settings. the challenge is always to get the depth of field right. When snow is falling you have to move fairly quickly because the flakes you are shooting are covered pretty quickly.