A Fungus Among Us

Issac came along and pretty much ended a summer of drought in the Ozarks. We didn’t get a lot of rain, but it was a nice slow soaking – 3 inches over a couple of days. My grass came back to life and I considered mowing it for the first time since mid May. I noticed some large white blobs over by my cedar tree while I was clearing limbs while getting ready to mow.

I saw several odd round turban-shaped mushrooms underneath the cedar tree. They were growing in a circle about 6 feet across. A friend told me that this was called a fairy circle, for me it was an excuse to put off mowing another week while I waited to see its progress. It was also an excuse to take some photos of something living. Drought = no wildflowers, no lawn, no color. Imagine my excitement at seeing white blobs!

This shot is misleading – they are not actually larger than my terrier Velcro in the background, but they were quite large. Baseball-sized fungi…

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The fungi surface looked like flan that had been stretched to reveal a plush and fuzzy sub-layer.

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Over the course of the next 24 hours the ball opened and flattened into a disk the size of a salad plate. Perfectly round like one of those parasols you get in a fancy drink, only not so fun and colorful…

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All-in-all they were kind of boring, but you gotta work with what nature gives you. I thought I would try to impose some artsy angles on them to make them appear more dramatic. I got very dirty doing this.

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The details of their gills were pretty amazing – there are spider webs in there, or maybe tiny cob webs – a tiny microcosm…

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This is the view a field mouse or packrat might have as they approach one of these babies – reaching for the sky. I got very dirty getting this shot. I also was bitten by chiggers. There’s nothing I won’t do for art…

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Eye level to a rabbit, if my dogs would let a rabbit get this close.

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Enough already, I’m putting on some calamine and getting out the mower!

Chrome Sweet Chrome

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I’m a car nut – have been since I was a little girl. It’s all my Grandpa’s fault.

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When I was about a year old my Grandpa bought a new car for to celebrate his and Grandma’s 25th wedding anniversary. It was a 1963 Impala Super Sport.

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It’s the very first car I remember riding in.

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I went almost everyplace with my Grandpa when I was young. He was pretty crazy about me and I was crazy about him as well.

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While we would drive along he would play this game with me – I would point out an old car and he would tell me the make, model, and year.

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I could never stump him. He knew the differences in the small bits of trim and chrome that separated a ’49 from a ’50 Chevy or what defined a Pontiac from a Buick made in the same year.

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I learned about Buick portholes, Pontiac chevrons, and Caddy V-crests.

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I learned which hood ornaments were on which models…

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Which models had a Continental Kit…

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I began to look at the details of a car as well as the sweeping lines of the whole.

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My grandfather left his family farm as a young man and got his first job in town painting cars.

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He knew how to care for a car’s paint and I learned to wax a car by watching him wax that Impala nearly every Sunday.

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The miles we spent in that Impala – around town, around the state, all over California, and to Nebraska and back…

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When I was very small I was sure the chrome jockey box in between the front seats was built just for me. Later on trips I thought the indentation of the speaker in the back seat was made as a place for me to rest my head.

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In the mid 60s my grandparents opened an upholstery shop. I learned the meaning of tuck-and-roll and grew to love diamond-tufting.

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Grandpa did a lot of furniture but he specialized in car and airplane upholstery. He told me once that a new convertible top would tighten right up when left up in the desert sun for a few hours…

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That the details of the interior were just as important as those on the outside…

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That a perfect interior was the sign of a well cared for automobile.

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As I entered my teens he planned to pass that lovely Impala on to me, it was finally time for him to buy a new car.

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My folks were having none of it so he reluctantly sold it for twice the price be paid for it.

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I learned to drive the family sedan and the first car I ever owned was the LTD he replaced the Impala with. I bought the car from my Pop who Grandpa had passed it onto a few years earlier. It had not been cared for so well after leaving Grandpa’s driveway so my time with it was short.

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Somewhere along the line I bought an old Jeep, just like one my grandparents had owned when I was a kid. Grandpa insisted on taking me out into the desert to learn to drive it off-road safely.

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I went through a couple of odd cars until I was almost through college. I became obsessed with first generation Mustangs.

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I found one I felt I could not live without, the owner said it was 99% restored – I guess if you didn’t count the engine or interior that he was pretty accurate. My Grandpa gave me a loan to buy it and together we restored it. His arrangement with me was that as long as I graduated from college, the restoration was his gift to me.

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The real gift was much more that parts and paint. It was the time we spent each week and the satisfaction we felt as we saw it come closer and closer to a completed project.

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We scoured junkyards looking for elusive parts. He bought me a buffer to keep the paint looking showroom perfect.

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Every Friday for a year and a half we started a new project. Paint, chrome, AC, carburetor, upholstery – the day we had the carpet installed he sat down next to me in the passenger seat and beamed as he told me it smelled just like a new car.

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It may not have been our beloved Impala, but it was a car we both loved. Each time I drove it I could see him in it.

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I could see his hands in the details. One time after our drive he was concerned about a rattle. When we got home he took a screwdriver and disassembled the dash looking for the source of the noise. He did the same thing on his own car.

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When the time came for me to move on to a new town in a new state I packed up that Mustang. I wept upon leaving him, but took comfort in taking a part of him with me in the car we restored together.

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I kept the Mustang for several years until the snows of the Cascades made it impractical. It was Grandpa who urged me to sell it and buy something safer.

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In the 90s I was restoring a 1967 Buick Riviera. Grandpa gave me some good advice and helped me solve a few technical problems. He also told me when it was time to let it go and move on.

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He advised me on all matters automotive for the rest of his life. He advised me on all matters non-automotive as well. His wisdom and belief in me gave me the courage to try new things – to pursue my dreams, even if they lead me away from him.

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I took these photos yesterday. I was at an annual antique car festival in Eureka Springs, Arkansas.

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As I saw the parking lots in our tiny Victorian village filled to overflowing with so many gorgeous old cars that had been lovingly cared for, I thought of the details that Grandpa taught me about…

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I found myself identifying so many of them based just on these details.

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The owners patiently listened as people like me shared our memories of cars gone by.

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There’s something about an old car that brings these memories to the forefront. We all remember the cars of our childhood or the great times we had in cars with friends and loved ones.

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These days I live out in the woods where a classic car is just too impractical – even as a hobby. I miss working on one like I miss my Grandpa.

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When I see an old car that’s been lovingly cared for, no matter what the make or model I think of him.

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But when I see an Impala, it all its splendor, I gasp and am taken back to that place where I sat in the passenger seat alongside the most noble man I ever knew…

Growing up at the Elk’s Lodge

I live about a mile from the local Elk’s Lodge. The lodge sits across the road from a wide open meadow that ends in thick woods. To the east a subdivision runs almost across the meadow. It’s a spot that local white tail deer like to feed. I started taking snaps of the herd about 3 years ago. The first year there were 3 fawns – triplets. I would drive through the meadow on the way home hoping to see them. I noticed on fawn with a small white band just above her nose – she seemed more laid back than the others. She looked me in the eye, she kept grazing if I started to walk towards her with the camera. I named her Doe.

The next year she was back – all grown up. I could recognize her by her calm demeanor and that fine white line just above the black of her nose. When the other deer would turn and run into the woods, she would stay behind and watch me. I made sure to give her some space. I got a few nice snaps, but the distance was just too great.

This spring I upgraded my camera body and the AF is significantly better. My friend is also more comfortable with me. About a month ago I saw her with her own twins – as usual she was not disturbed by my presence…

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I got very close to the three of them and shot for about 20 minutes. I noticed that one twin, the one grazing, takes after mom. No concern for my presence. The other one is more vigilant. It trusts it’s mom, but is not comfortable grazing around me…

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Being respectful of the more cautious twin I stepped back a few feet. When I did the clam twin moved towards me…

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She gave me a nice pose and I noticed something about her – she has the same white stripe on her nose as her mother…

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After a few minutes she licked her chops and turned to leave, not in panic, but to look for a better spot to feed…

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Last week I cruised by the meadow and saw some deer over near the housing development. I drove over to an empty cul-de-sac and saw that it was Doe and her family. She was a ways off by the treeline, but the twins were pretty close to the road. Not wanting to block them from crossing the road to join their mother I got out of my Jeep and approached them from the far side. My laid back friend turned to check me out – she’s growing so fast…

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Her more cautious twin looks me over, but he seems to have a more worried expression.

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The worrywart crossed the road and joined mom. My chill girl shot me a profile shot.

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She’s not worried in the least because Daddy’s home!

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Meet Me at the Fair

Last week was the annual Carroll County Fair.

Before I moved to the Ozarks it had been 30 years since my last forray into fair participation. I had a $50 mustang filly when I was a kid and I rode gymkhana for a couple of years. I also entered my metal and wood shop projects. The ribbons and satisfaction of the fair were very distant memories.

A few years ago some friends mentioned entering paintings and photos in the fair. I didn’t even know that grown-ups could do such a thing. I checked the rules for participation – technically since I haven’t made diddly squat selling prints, I’m an amateur. I’m not sure how I feel about that in light of my zillion years of experience…

I checked out the categories and picked my best shots to print and enter and – voila – ribbons ensued. Did you know they pay you for the ribbons? That first year I made about 16 bucks in cold hard cash – nevermind that I have three times that in printing and mounting. I was a cash award winner! At this rate in about a hundred years I would be categorized as a professional by the Carroll County Fair Board of Trustees.

The very next year I got my first Pen system camera and tried a bunch of artsy things with old lenses from the 70s. I had a new tripod, a new camera, some old glass and a bellows – I shot this…

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Reserve Grand Champion – thank you very much…and I scored 75 bucks! Woooohoooo!

I gave my winnings to Mary Jane my neighbor, it was her flower after all.

For the first couple of years the judges apparently wanted everyone to feel good so they gave out tons of ribbons with no apparent system – the only reason that you might not get one was that you entered your photo in the wrong category. Last year they changed it up. Three places per category. 1st place in each category considered for Grand Champion. Fewer ribbons – less cash – actual judging and results. Some people took this really hard. No ribbon meant that no one liked their work. People took it all too personal. Me, I really could give a rip about the ribbons or the cash – for me it’s about whittling down a years worth of photos to 15-18 pieces that you think are your best. I shoot between 12,000-15,000 photos a year, that’s a lot of whittling.

This year I took home the blue ribbon in 4 of 9 categories, but who’s counting. I bet I make at least 8 bucks! Here’s a few of my shots from this year:

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Our county fair does not have legendary fair food, nothing on a stick. It also boasts no butter sculpture, no live bands, no wristband passes. It does have one room of exhibits that includes fine art, dioramas, cookies, jam, and vegetables – none of which are for public consumption. It’s so odd to see a plates of cookies under Saran wrap sitting on a shelf with a ribbons on them – I wonder if cookie bakers have to prove amateur status?

Anyway, I love going to the fair in spite of its deficiencies – I love going to the fair and taking photos. I’ve already posted my chickens, but I also got a chance to spend some lens time with the goats…

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Of course no fair is complete without carnival rides and for me the perfect time is right after the sun goes down. I actually brought the wrong lens with me, I thought I had my fast portrait lens, instead I had my macro. I think it worked out though. Zipper, Tilt-a-whirl, carousel – these rides never change…

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There’s something sweet and nostalgic about walking through a fair and seeing your neighbor’s best cookies, or watermelons, or chickens, or photos.

The Cards I Have Been Dealt

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I have been feeling a bit snubbed by the local Cardinals. 14 feeders filled daily and nary a cardinal shows their red and black face. The whole point of hanging all those feeders was to get the cardinals close enough to get some nice snaps. Last weekend after the rain I finally got me some cardinal love. Two male cards perched off in the walnut tree and gradually got closer and closer to me.

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The patio where I snap my photos has a pergola overhead that rests on two log columns with stone bases. The two male cards decided to check me out from each side. They scoped out the best places to feed.

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This guy has an epic mohawk!

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This guy popped back into the tree and did his best parrot impression.

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The two guys were joined by this girl who sports her best Angry Birds poses.

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The girl settled in on the arm of a sassafras bench right next to the doorway were I was sitting inside. I saw her reflection in the open glass door and slowly pointed my camera around the corner until I saw her on the LCD. She was less that 3 feet from me.

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She hears my camera click and starts to look around…

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And she spots me.

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She hopped up and turned around and threw me a pose.That girl has a little Cap’n in her.

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In addition to being shy, the cards are just too large for a lot of feeders, I didn’t know this until I had already set up a feeder system. I’ve been looking for a tray feeder, in the meantime they cards have discovered the patio below the feeders – it’s the world’s largest tray feeder and needs no stand.

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I’m glad these guys finally gave me a shot at snapping them.

A Bouquet, a Glittering, a Hover, or a Shimmer – Some Things I Have Learned About Capturing Shots of Hummingbirds

Last week I posted some experiments from a photo challenge where the aim was to shoot your DSLR like it was a film challenge, limiting options and processing simply – no image stabilization, set a single ISO setting – bare bones. I learned some things by minimizing the technology and decided to apply some things to my regular shooting process while utilizing all the features of my DSLR.

Here are some things I was forced to try when I limited my camera’s functionality that can I apply to my everyday shooting:

1. Get close. Hummers at a feeder could care less about you. They may chirp a bit, but if you position yourself close to the feeders before they approach, they will come anyway – food is more important than you. I was actually standing on a step stool a few feet from a couple of the feeders for these shots.

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2. Wait for it. Hummers are not sedentary creatures. Get a good focus on one that is feeding and stay on that bird until it starts to flutter, then snap immediately – it’s the best way to get an action shot.

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Holding on one bird can get you interesting angles that would be almost impossible to catch shooting one-off.

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This technique can sometimes let a story play out – this fellow was defending his feeder by intimidating all comers.

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3. Make your autofocus area as small as possible and focus on the head or eyes of the hummer. If you can get the head sharp, the other motions will only make the shot more interesting.

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5. Stalk the feeder. Sometimes a bird will light on the opposite side of the feeder. Keep the feeder in your viewfinder and focus on any part of the bird you see peaking around, often a hummer will pop up and you’ll be ready of a fun candid with sharp focus in your subject.

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6. Back off and take it all in. When hummers are competing to feed there’s often lots of drama that you would miss if you were tight on one bird. Back off every now and then to get the whole picture.

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7. Look for unusual locations. If you watch the dominant bird you will notice that they perch nearby. They seem to create patterns or routes. They may feed and perch on a bare limb and keep watch on their territory. They almost always return to their perch to keep watch after each altercation. These are opportunities to get a unique shot of the bird without the iconic red feeder.

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20120827-192823.jpgThese are things you can do with any digital camera with a decent amount of zoom – these are wonderful creatures and it is a pleasure just to be in their midst. Capturing those moments makes it even better.

A Hummer of a Rain Dance

I was putting together the pieces of a longer post when the rain started.

If you’ve read any of my posts lamenting the drought in the Ozarks, you know that rain is a reason for rejoicing! I was working on a bird feeder repair in the kitchen when I looked out the window and saw this:

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A female hummer enjoying the shower…

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She started to spin and do her best impression of a turkey with a glance to the right…

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then a twist to the left…

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followed by a whole lotta shakin’

The rain gauge is filling up, the grass is starting to green up, the hummers are dancing, all is right with the world.

My Little Chickadee – an Upgrade to My Backyard Buffet

After seeing a Facebook Post by the Norberta Philbook Gallery I decided it was time for an upgrade at the buffet. The Gallery is owned by a friend and neighbor. She had been looking for pottery for the Gallery when she came across the work of Julie Windler. She makes these adorable hand thrown bird feeders. They have real elm limbs for perches.

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I bought one and hung it pretty close to my shooting spot last Saturday. I filled it with some clean feed and black oil sunflower seeds. I barely finished before it started to rain. Once the rain stop I settled into my spot to see who might check out this new addition.

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One brave little chickadee checked it out right away.

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He hopped from perch to perch until he found a spot that was perfect.

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He decided to give it a try – time for a snack.

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He stopped to give me an adorable pose…

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and flew back to the walnut tree.

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I think Chicky is an art connoiseur.

The Hummers of Summer – B&W Part Deux

After yesterday’s post the semi-perfectionist in me reared it’s pretty normal looking head and I took the concept of shooting it like film a step further. I culled the best of the images of my hummers from the original black and whites and took the original files and “processed” them like I would have if I had been exposing negatives in the dark room. I didn’t dodge and burn – but I played with exposure so that the images were as contrasty enough to really bring out the detail I knew was there in my “negatives”. No sharpening, no digital fixes, no sepia or pinhole. Just straight B&W with an exposure adjustment. I think this is a pretty fair comparison – 6 good shots out of 30+.

Some random facts about Hummingbirds:

They lay 2 white eggs the size of peas.

Their migration is timed according to the appearance of certain flowers along their route.

A group of hummers is called a bouquet, a shimmer, a hover, a tune or a glittering – all of these seem pretty appropriate.

They flap their wings up to 75 beats per second.

They build their nests from spider silk covered with lichens.

A hummer consumes twice its body weight each day.

I love how this female appears to be whispering to the feeder.

I seem to get the most in-focus shots of this content female.

One of my males coming in for a landing.

Fluttering female from my neighbor’s “shimmer”.

The chubby female feeding. She is the calmest of my “Bouquet”

These guys dive bombed us as we refilled the feeder.

Thanks for giving these guys a second look with me.

The Hummers of Summer – A Study in Black and White

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This week I was reading a blog about my camera model and the author issued a challenge. Shoot it like a Film Camera While this blog is specifically about shooting an Olympus E-M5, this entry was one that I thought made a lot of sense to almost any digital shooter. Take your state-of-the-art digital camera, strip it of its bells and whistles, limit your options, and process it all using the same settings. Don’t look at the images for 12 hours – imagine you have dropped it off for developing, just like the good old days.

I decided to shoot some hummingbirds on mine and my neighbor’s porches. No ISO adjustments, no DIS mode, no noise control. Set the aperture, focus, click. I decided that I would “process” these shots in black and white. I saw a photo of a hummingbird on Facebook yesterday (the image at the beginning of this post – from the OSU archives) shot sometime in the non-digital past in that luscious yellowish black and white. I loved that the details were so silver and pristine with no color to take away from the purity of the image. I output my images in a black and white pinhole with a light sepia. All processed exactly the same.

What follows are 30 shots from my 36 exposure “roll” of imaginary film shot over the last few days and “processed” late last night.

Some are more successful than others. I love the way that they have a more natural feel in the absence of vivid red plastic. I was happy to see more detail than I had imagined.

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It’s actually a little liberating to shoot and hope for the best. It may not be my best work, but there are some that I really like the feel of. Who knows – doing something like this – stepping away from technology, will make me a better shooter. I don’t miss the color, and that’s interesting considering my subject matter.

Give it a try – shoot it like film!